The Brezoi Open Air Festival 2024, held in the picturesque town of Brezoi in Romania, was a celebration of music, nature, and community spirit. Set against the backdrop of the Carpathian Mountains, this festival delivered a unique blend of genres, captivating performances, and an enchanting atmosphere that left attendees with memories to cherish. One of the st andout features of the Brezoi Open Air Festival is its breathtaking natural setting. The lush greenery and serene landscapes of the Carpathians create an idyllic environment that enhances the musical experience. This year, the festival grounds were beautifully arranged, allowing festival-goers to immerse themselves in the beauty of nature while enjoying world-class performances.
WORDS: Colin Campbell PIX: Laura Carbone
Tuesday 16th
Forest Stage
After traversing a rickety swingy bridge, you reach the Forest Stage, this must be the coolest outdoor venue around, with hot tubs, hammocks, a chilled vibe and a listening audience, a factor noted over the whole festival. The first band was the StoryTellers a mixture of musicians who play together in Romania but especially in a festival setting adding an eclectic mix of blues-infused gospel vibes with the focus on connectivity with the audience. The weather was ridiculously hot and humid a bit too much for this Scotsman but later acclimatised. What A Friend We Have In Jesus was a particular favourite and the session had that “Jam” feel. Keyboard, guitar, and lap steel melted into one, a joy for the senses! All Along The Watchtower changed the vibe, but all was done unplugged.
There was also enough time to give a rendition of House Of The Rising Sun, a notable set and ambient feel. Clear vocals, fantastic sound quality mixing a blend of traditional songs with some reinterpretations. A receptive audience joined in with a call and response making a communal musical experience. Musicians changed but always a trio, some great harmonica playing also by Marcian Petrescu accompanied by Mihai Tacoi on acoustic guitar and Vlad Briciu on piano. Marcian was also involved with running the merchandise booth during the festival. A lot of the festival staff were musicians and volunteers.
Main Stage
The first visit to this stage looked very impressive, the sound was amazing for the first band Mazingo, another trio comprising Double Bass, Guitar, and drums.
This was a standout performance that left the audience buzzing with excitement. The winners of the France IBF award, known for their eclectic mix of rock and blues, delivered a powerful set that showcased their musical versatility and raw energy. Their sound was crisp and clear, singing in French and English mixing heavy rock tunes with a groove and style of their own. The Double Bass player was flamboyant and added to the band’s entertaining feel. Diggin’ had a haunting vocal with some fine fingerpicking, Middle Man had groove and swagger whilst Soliel Noire provided some stomping blues, this let the band show the chemistry and originality they have. City Never Sleeps had a laid-back bluesy sound, superb. Mazingo’s ability to blend classic rock influences with a modern twist made their performance both nostalgic and refreshingly contemporary. One of the best sets at the whole festival! The band’s connection with the audience was palpable, making the evening an unforgettable experience for all in attendance.
Next up was Jonathon Boogie Long with his band, keyboards, drummer, and bass player. They stormed the stage from the off, even after losing most of their luggage in transit. They delivered a captivating performance, highlighting deep blues roots with a modern twist. His set was a dynamic blend of soulful guitar solos and gritty vocals, reflecting both technical prowess and heartfelt emotion. Long’s stage presence was magnetic, drawing the audience into every note and lyrical phrase. Highlights included a riveting rendition of 29 Ways where his expressive playing truly shone. The energy of the performance was infectious, leaving the crowd exhilarated and craving more. The band’s tight rhythms and seamless chemistry complemented Long’s virtuosic guitar work, creating a rich, immersive soundscape. Overall, Long’s set at Brezoi was a masterclass in blues performance, resonating with both longtime fans and newcomers alike. It was a memorable experience that underscored why he’s considered one of the genre’s rising stars.
Mr Sipp was on the main stage next, this band infused pure entertainment and passion for music. Their set was infused with bluesy tunes and an amount of gospel. He came out into an adoring crowd to do a walkabout. Notably this festival had a family atmosphere and when he was in the audience, he led some children and adults like a pied piper! Mr. Sipp, the Mississippi blues master, lit up the Brezoi Festival 2024 with a performance that was both electrifying and soulful. His set was a journey through the heart of the blues, blending traditional elements with modern flair. From the first note, Mr. Sipp’s commanding presence and infectious energy captivated the audience. His guitar playing was impeccable, filled with blistering solos and intricate rhythms that showcased his technical skill and deep emotional connection to the music. Standout tracks like Miss Jones and Jackpot highlighted his versatile vocals and storytelling prowess. Whereas Amazing Grace and Change Is Gonna Come displayed an eclectic mix of blues-rooted tunes. The band’s synergy was palpable, creating a tight, dynamic backdrop that allowed Mr. Sipp to shine. His charismatic interaction with the crowd added an extra layer of excitement, making the concert an unforgettable experience. Mr. Sipp’s performance at Brezoi reaffirmed his status as a formidable consummate entertaining force in the contemporary blues scene, what a performance.
Anthony Gomes and his band were the last band on the main stage and brought a blues rock swagger to proceedings. He set the stage ablaze with a performance that was as electrifying as a thunderstorm rolling in over the Romanian delta. His set, highlighted by the mesmerising tune Blues in Technicolour and the power-driven Peace, Love & Loud Guitars, was a masterclass in blues rock virtuosity. White Trash Princess was also welcomed by a rapt audience, whilst the slow blues of Take Me Back Home was a soothing tonic. Gomes, wielding his guitar like a seasoned preacher, delivered sermons of soul and fire, captivating the audience with his deep, resonant vocals and electrifying riffs. His blend of traditional blues roots with a modern rock edge resonated deeply, making each song a testament to his raw emotion and technical skill. The crowd were left in awe, hailing his set as one of the festival’s defining moments, a true testament to Gomes’ enduring artistry and magnetic stage presence, a firm favourite at Brezoi.
Every night after the headline act on Main Stage there was the Night Stage (A White Tent Stage) to finish off into the wee small hours. The first night band was Argentinian Vanesa Harbek. Her performance was a vibrant showcase of her versatile talents. She captivated the audience with a blend of blues, soul, rhythm and blues, swing, and rock and roll, infused with Latin rhythms. Her set highlighted her powerful vocals and skilful guitar work, particularly shining on tracks that seamlessly blended these diverse styles, her reinterpretation of Going Down was a highlight. Positive Day had a Santana Latino vibe, and Vanesa enjoying delivering this one. Singing fluently in English and her own language, was an impressive set. Her fretwork on Pride& Joy was also a highlight. Her stage presence was magnetic, as she navigated through her repertoire with both emotional depth and technical finesse. She brought a unique fusion of cultures to the festival, which resonated well with the audience, creating an immersive and lively atmosphere.
Wednesday 17th July
First up on the Main Stage was Bas Paardekooper and his blues crew from the Netherlands. His guitar work was nothing short of electrifying, blending soulful riffs with technical finesse. Paardekooper’s emotive playing and rich, gravelly vocals resonated deeply with the audience, creating an intimate yet powerful atmosphere. The setlist featured a mix of his original compositions and classic blues covers, each delivered with passion and precision. His band’s tight, cohesive backing added to the dynamic energy on stage, a wonderful blues-rock trio, the highlight was Don’t Let It Fade Away, with guitar tones that filled the stage and arena. His vocal delivery and intonations were like Walter Trout. A great opening act. The interplay between the musicians highlighted Paardekooper’s ability to both lead and collaborate, resulting in a performance that was both technically impressive and emotionally engaging.
Danielle Nicole Band were next on the main stage, they put on a stellar show mixing grooves and rhythm, blues, and soul gumbo. Danielle Nicole captivated the audience with her rich, powerful vocals and masterful bass playing, blending heartfelt emotion with technical prowess. The set featured a dynamic mix of tunes, from the rhythmic tones of It Ain’t You to the love ballad; Love On My Brain this band racked up the entertainment value and the audience was very respectful of such a talented band. Double guitar soloing with Brandon Miller, what a showcase. You Only Need Me brought Texas blues to the fore with a wonderful drum solo, Danielle delivering the lyrics with passion and feeling. The highlight song was Save Me. For blues enthusiasts and newcomers alike, the Danielle Nicole Band delivered an unforgettable show that truly captured the essence of modern blues.
Night stage next to see Noa & The Hell Drinkers. They are a Spanish five-piece band with their brand of blues and rock and roll with a twist. They recently won the European Blues Challenge in 2023 in Poland. On this performance, they are destined for more notoriety. The band’s tight musicianship and Noa’s powerful vocals were a perfect match, creating an unforgettable atmosphere. The setlist was a mix of soulful originals and energetic covers, each song highlighting the band’s versatility and passion. Standout moments included a blistering guitar solo that brought the crowd to their feet and a rocky interpretation of Bullfrog Blues that left everyone in awe. The band’s chemistry was palpable, and their stage presence was magnetic, engaging the audience from start to finish. Powerful tunes like; Get The Job Done and an inspiring version of Beth Hart’s Class Wars were phenomenal. Another highlight was their version of Tobacco Road, with Noa Eguiguren delivering lyrics in a sassy sexy style!
Thursday 18th July
After another late night and sweltering heat got a chance to go to the Forest Stage over the rickety bridge! The band there was called OCRU, a Romanian trio who have made a significant impact on the music scene with their distinctive blend of traditional Romanian folk and contemporary sounds. Their music is characterised by rich vocal harmonies, evocative lyrics, and a deep connection to cultural roots. The songs I heard were all in the Romanian dialect, could not source translations at the time! This project led by; Adrian Mărgineanu (vocals, guitar) and Dorin Pitariu (lead guitar). An intimate crowd appreciated the musical cool vibes of an exceptionally good set, just the tonic for a balmy day.
Next on main stage were the Netherland band DeWolff. Touring as a trio this was part of their European tour, they put all their energy into a pulsating psychedelic rocky blues-infused set. The Dutch trio kicked off the night with the explosive Night Train immediately capturing the audience’s attention with its infectious groove. As they transitioned into the soulful “Tired of Loving You,” the band’s signature vintage sound shone through, blending seamlessly with modern rock elements. The crowd was particularly enthralled by Treasure City Moonchild where searing guitar solos and powerful organ riffs took centre stage, displaying the group’s exceptional musicianship. Will O ‘The Wisp provided a perfect mix of gritty vocals and psychedelic vibes, transporting the audience into a world of classic rock nostalgia. The night reached its peak with Rosita an epic tune that left fans in awe of De Wolff’s dynamic range and stage presence. Overall, their performance was a captivating journey through their eclectic discography, leaving a lasting impression on all in attendance.
The overall ambience and vibe were described to me as being “a European Woodstock” can’t disagree, the people were so friendly and proved a connection through music and love of same.
Shemekia Copeland and her five-piece band were next on main stage and what a first-class performance she put on, mixing soul blues and gospel with her own groove style and passion. Starting off with a new song from her next album, she rocked into Tough Mother, full on Texan blues, this had everything, and the audience immediately started dancing and singing, amazing passion from Shemekia with a solid band. Clatilda’s On Fire highlighted her extensive vocal range, a wonderful slow blues riff and great guitar solo. Copeland’s charisma and genuine connection with the audience made for an unforgettable evening, solidifying her status as a leading voice in contemporary blues. Ain’t Got Time For Hate had the crowd joining in, powerful lyrics with a heavy backbeat, a universal song. She delivered a mix of heartfelt ballads and energetic numbers, showcasing her range and emotional depth. Highlights included a stirring rendition of Ghetto Child and a rousing Walk Until I Ride which resonated deeply with the crowd. They got their groove on and delivered such a professional and entertaining set, her stagecraft second to none, one of the best blues singers around. The last song was an amazing version of It’s 2 A.M.
Final act on main stage was a local band called the Night Losers. This was a vibrant celebration of blues and Romanian folklore. The band’s eclectic mix of blues, rock, and traditional Romanian instruments like the accordion and cimbalom created a unique and engaging sound. Frontman Hanno Höfer’s gritty vocals and charismatic presence captivated the audience, while the band’s seamless interplay showcased their musical prowess. Highlights included a soulful rendition of Johnny B. Goode infused with Romanian folk elements, and the infectious Bețiv, which had the crowd dancing and clapping along. The Night Losers delivered an energetic and joyful performance, blending genres and cultures in a way that was both refreshing and entertaining, leaving the audience eager for more. The version of My Babe was a particular highlight, mixing violin tempos and wonderful musicianship.
Friday 19th July
First up on Forest Stage was Ralu Stoica and friends.
Three-piece band, double bass, singer, and drums. They did a set of reinterpretations in an unplugged style, attended by an appreciative audience. Ralu’s lead singer’s delivery was sublime and had a ragtime vibe. Most interesting and challenging was moving from singing Guns N’ Roses Sweet Child Of mine, to next tune La Vie En Rose. Lie To Me was a particular favourite also did an excellent job of Beth Hart’s Fat Man. They finished with Queen’s Love Of my Life along with crowd participation, just sublime. Laid back summer vibes in such a tranquil space, getting in touch with the organic vibes of nature.
Selwyn Birchwood was next to ply his musical talents on the main stage. His performance at Brezoi, was a masterclass in contemporary blues. His electrifying guitar work, combined with a soulful voice, created an intimate yet powerful atmosphere. Birchwood’s setlist featured a mix of originals and classic blues covers, all infused with his unique blend of modern blues, roots, and funk. Starting with Horns For A Halo he let the funk party start. Saxophone vibes infused another funky tune, Hopeless Romantic with wonderful saxophone tones from Regi Oliver, mixing with bass man, Donald “Huff” Wright. After a crowd walkabout he brought out a new instrument, the Selwyn Birchwood signature lap steel guitar evoking southern blues and a highlight was When The Saints Go Marching In. Finishing with Florida Man another tune from his latest album The Exorcist the band raised the entertainment level. An impressive set, by a tight band.
Albert Cummings delivered a stellar performance at Brezoi on the main stage. Known for his fiery guitar work and soulful vocals, Cummings didn’t disappoint. From the opening chords, his mastery of the blues was evident, blending technical precision with raw emotion. The crowd was captivated by his renditions of classics and originals alike, particularly the Texas blues opener That’s The Way I Feel, which showcased his deep, expressive range. Other songs like Too Old To Grow Up and Hoochie Coochie Man were greeted by an enthusiastic audience, a real crowd pleaser his guitar fretwork was amazing. A true headliner act. The band was tight, providing a solid foundation that allowed Cummings to shine. His interplay with the audience added a distinctive touch, making the night feel intimate despite the outdoor setting. The set was a well-balanced mix of upbeat numbers and slower, introspective pieces, leaving the audience both energized and moved. Overall, it was a memorable evening that highlighted why Albert Cummings is considered one of the premier blues artists today.
On the night stage was local act seven-piece band The Southern Cockroaches. They were extremely popular with the crowd. The band’s energetic performance, featuring a blend of Southern rock and blues, captivated the audience. The lead vocalist’s gritty voice and charismatic stage presence, paired with impressive guitar solos, created an unforgettable atmosphere. The setlist, including hits like Swamp Groove and Dusty Roads, kept the crowd engaged and singing along. The lighting and sound were top-notch, enhancing the overall experience. The Southern Cockroaches delivered a powerful, soulful show that left fans eagerly anticipating their next performance. A night of pure musical delight! Their stage persona matched the groove, the drummer was even wearing a full Red Indian outfit!
Saturday 20th July
Grainne Duffy played with her band on the main stage alas after the last song, the heavens opened and there a deluge of biblical proportions which unfortunately pushed the order of play down. Grainne’s set was excellent nonetheless and the audience was rapt, Paul Sherry on guitar is such a good foil for her onstage, he just doesn’t stop moving. A notable set included, the rocky swampy Voodoo Blues, Dirt Woman Blues. The undoubted highlight is her rendition of I’d Rather Go Blind – simply exquisite and enjoyed by a listening audience, literally you could hear a pin drop, so good. The final tune was the upbeat anthemic Test Of Time, varied roots and blues-infused set, quality band. Duffy’s emotional delivery and skilled musicianship shone through, particularly in another standout track Good Love Had to Die. A consummate performance indeed.
The Damn Truth delivered an electrifying performance. The Montreal-based rock band captivated the audience with their dynamic stage presence and powerful vocals. Lead Singer Lee-La Baum’s soulful and raw voice resonated through the crowd, perfectly complemented by Tom Shemer’s gritty guitar riffs. The band’s energy was infectious, with songs like the anthemic, This Is Who We Are Now and the bittersweet, Lonely, igniting the festival-goers’ enthusiasm. The tight rhythm section provided a solid backbone, ensuring a seamless blend of classic rock influences with modern flair. The Damn Truth’s passionate delivery and authentic sound made for an unforgettable night, leaving the crowd buzzing long after the final chord. Their performance at Brezoi showcased not only their musical prowess but also their deep connection with the audience, despite the inclement weather, they rocked the festival.
Due to the weather and flooding everywhere Kaz Hawkins and her band were relocated to the Night Stage. She only had time to do about four songs in front of an adoring yet soaked audience. She now proclaims Brezoi as her second home and the crowd loves her and cannot get enough of her. But there was good news from this, she was to play an acoustic set the next day at the Forest Stage. French band Shaggy Dogs finished off the night in the tent with a varied set of rock and roll and blues tunes. With a vintage sound infused with infectious energy, the band quickly had the crowd grooving. Lead singer Red’s charismatic vocals and engaging stage presence created an irresistible vibe in the style of down home, rhythm, and blues akin to Dr Feelgood tones. The band’s tight rhythm section kept the audience hooked, especially during standout tracks like “Lee’s The man”, a tribute to Lee Brilleaux from Dr. Feelgood. The Shaggy Dogs delivered a fun, memorable set, highlighting their love for classic blues while adding their own fresh twist.
Sunday 21st July
Saturday night, fifth night already and it has got an Irish tinge to the lineup. First up an early billing for the amazing Dom Martin and his band. Dom Martin’s performance at Brezoi was a masterclass in modern blues, blending soulful vocals with virtuosic guitar work. His dynamic stage presence and emotive delivery captivated the audience, making each song feel deeply personal.
Highlights included a spellbinding opening salvo of 12 Gauge and later Unhinged; that showcased his technical prowess and heartfelt interpretation. He even got off the stage and did a walkabout, this was particularly well-received by an adoring public. The band’s chemistry is now so strong and the interplay with bass player Ben Graham is a joy to watch, this is a great combination. Add classy drums by Aaron McLaughlin and you have the consummate trio. The set was well-paced, mixing slow, haunting ballads with energetic, foot-stomping numbers, keeping the crowd engaged throughout. Dom’s authenticity and passion shone through, making it a memorable evening for all in attendance. A true talent in the contemporary blues scene, Dom Martin left a lasting impression at Brezoi. With flair, charisma and style… this was a fantastic performance.
The crowd were entertained by singer and guitarist duo, George Sarluceanu. Their blend of soulful blues and rock resonated deeply, creating an unforgettable opening act. Sarluceanu’s guitar skills were nothing short of mesmerising, effortlessly blending technical prowess with emotional depth. He was accompanied by cajon player keeping the backbeat, they sang in Romanian and English. A powerful and emotional set featured a mix of original songs and classic covers, each performed with passion and energy. Next onstage was Soul Serenade another duo, female lead singer and acoustic guitarist. The lead singer wins the best hat competition she looked amazing and sounded great. They did a set of ragtime-type styles, the guitarist (Alexandru Olteanu) was particularly adept, and his fingerpicking truly accompanied the singer very well. On Why Don’t You Do Right they both played guitars, a beautiful rendition of the tune. A perfect combination for a sunny Sunday afternoon. Next, it was time to see Kaz Hawkins play a fantastic acoustic set at the Forest Stage. All seats and benches were eagerly snapped up for this sold-out one-off spectacular. Adorned in a flowing green dress Kaz just oozed appeal. She is loved in Berzoi and has that special connection that binds her, she is such an entertainer and all around there is a sense of love and connection. Songs like, Feel My Love were greeted with a warmth so rich from the listening crowd. When she played Drinking With The Devil this was such an experience to behold. Accompanied by local musicians, Stef Paglia on acoustic and Marius Matache on guitar, she also played a new tune, I’m Coming Home, dedicated to Berzoi. Just looking at the rapt happy faces of the crowd ensured this an unforgettable set. It unfortunately was as she had to stop due to the rain again.
Now isn’t that the blues?
Matt Schofield was next on the main stage as a trio this time. He delivered an electrifying performance. Renowned for his soulful guitar work and blues mastery, Schofield highlighted his exceptional skill and passion, captivating the audience from start to finish. His setlist featured a mix of original compositions and blues classics, each piece elevated by his emotive playing and smooth vocals. The energy in the crowd was palpable, as Schofield’s technical prowess and deep connection to the blues shone through every note. His band provided tight, dynamic support, enhancing the overall experience. Highlights included an extended improvisation that highlighted Schofield’s fluid, expressive style. The performance was a testament to his status as one of the leading figures in contemporary blues, leaving fans eagerly anticipating his next appearance. The Measure Of A Man was a highlight, as too was his version of My Baby Got A Black Cat Bone, guitar sonics throughout were magical.
Next onstage is the powerful energetic soul blues band Southern Avenue. They delivered an electrifying performance. The Memphis-based band captivated the audience with their soulful blend of blues, rock, and R&B, showcasing their dynamic range and tight musicianship. Lead vocalist Tierinii Jackson’s powerful voice and charismatic stage presence were highlights of the evening, drawing the crowd into each song’s emotional depth. The band, known for their energetic live shows, kept the audience engaged with a mix of original tracks and spirited covers. Ori Naftaly’s guitar riffs and the groovy rhythm section added to the vibrant atmosphere, making the night unforgettable for fans. The chemistry between band members was palpable, enhancing the overall experience. Their performance was not just a concert but a celebration of music, leaving an impression on all who attended. In a varied set list, Upside had the crowd boogieing on down. Soul, blues funk, and gospel they had it all, including a memorable reinterpretation of Genesis’ That’s All.
What a closing set Dana Fuchs and her band put on. She delivered a powerhouse performance, captivating the audience with her soulful voice and electrifying stage presence. Her blend of rock, blues, and soul resonated deeply, as she seamlessly transitioned between fiery anthems and heartfelt ballads. The band’s tight instrumentation, coupled with Fuchs’ raw, emotive vocals, created an intimate yet exhilarating atmosphere. Highlights included standout renditions of “Love Lives On” and the groove-laden, Sitting On, showcasing her dynamic range and passionate delivery. Fuchs’ charismatic interaction with the crowd added a personal touch, making the evening unforgettable. Borrowed Time had a country feel and Dana played acoustic on this. A major highlight was a duet with Kaz Hawkins, I Just Want To Make Love To You, a very special moment. Overall, the concert was a testament to her artistry and the powerful connection she forged with her audience.
What a wonderful festival this is, cannot recommend this enough. Thanks again to all the people who make this possible, your kindness surpasses mere words. Until next year so long but it’s not goodbye.
COLIN CAMPBELL
